South African filmmakers are protesting over the troubled cash rebate system, demanding government accountability for unpaid claims and improved transparency. The 25% rebate is reportedly stalled due to delays at the DTIC, affecting numerous projects and contributing to economic strains within the industry. Despite these challenges, industry leaders are advocating for a revised rebate system and have initiated conversations with government representatives. The Joburg Film Festival will serve as a platform for further dialogue.
South African filmmakers are raising urgent concerns regarding the nation’s troubled cash rebate system. Key industry associations have called for accountability concerning unpaid claims and increased transparency from officials responsible for the rebate scheme. The existing 25% cash rebate program has been significantly hindered due to unexplained delays at the Department of Trade, Industry and Competition (DTIC), which is responsible for managing the rebate and owes millions to local creators.
Numerous applications remain unprocessed, held up by a department that has not convened for over a year. Tshepiso Chikapa Phiri, CEO of Known Associates Group, expressed the gravity of the situation, stating, “We should never have gotten here”. Recently, hundreds of film and television professionals protested outside the DTIC in Pretoria, demanding expedited approval of pending applications and resolution of financial obligations for previously sanctioned projects.
The demonstration, organized by prominent industry groups such as the Independent Producers Organization (IPO) and the Documentary Filmmakers Association, underscored the systemic despair within the filmmaking community. Joel Chikapa Phiri, chairman of Known Associates Group, passionately urged, “Pay the claims! Pay them now!” highlighting the urgent need for the government to act.
During the protest, a memorandum was presented to a DTIC representative, outlining the industry’s grievances and demands for a revamped rebate system. This proposed system must be efficient, straightforward, and timely, reducing bureaucratic barriers and compliance costs. The memorandum pointed out the film and television sector’s economic contribution, having previously provided jobs to approximately 60,000 workers and generating substantial revenue before the pandemic’s disruption.
The economic strain for the industry has been exacerbated by ineffective communication from the DTIC and a lack of strategic direction to enhance growth and stability. The memorandum emphasized that government inaction jeopardizes the livelihoods of many and the substantial contributions the sector makes to South Africa’s economy.
Financial constraints are placing increasing pressure on the industry. Marc Schwinges, producer and chairperson of the IPO, noted the limited funding available from both the National Film and Video Foundation and the DTIC. He indicated that operating within the current financial landscape is exceedingly challenging. Nomsa Philiso, CEO of MultiChoice’s general entertainment, echoed sentiments of distress across the production landscape, acknowledging the difficulties faced not only by producers but also by broadcasters.
The uncertainty around the rebate system has also impacted Cape Town’s production services industry, which has been emerging from pandemic lows. Lynne-Anne Vosloo, CEO of Moonlighting Films, remarked that despite expectations of a post-strike production surge, business continued to be slow. Nicola Unsworth from Film Afrika noted that recent mergers and budget cuts in Hollywood have notably affected the South African industry.
While some studios like Netflix have reinvigorated sections of the market, the rebate confusion has deterred several potential projects from entering South Africa. Marisa Sonemann-Turner of Film Afrika stated that the team is adjusting negotiations by emphasizing the value that can be offered rather than relying on the rebate.
Despite facing numerous challenges, including a distinct lack of communication with the government, industry leaders maintain a cautious optimism about overcoming these hurdles. Following the protests, proposals for enhanced dialogue between the DTIC and the industry indicated a potential path forward. “People are very optimistic. No one is throwing in the towel,” said Philiso. The Joburg Film Festival is set to take place from March 11 to 16, offering a platform for dialogue and hope within the industry.
The ongoing crisis surrounding the South African cash rebate system has sparked significant unrest among filmmakers and industry professionals. The call for urgent reforms to improve transparency, responsibility for unpaid claims, and better communication from government officials is paramount. As the sector strives to recover from the impacts of the pandemic and recent economic challenges, the collaboration between government and industry remains crucial for a sustainable future. The recent protests signal the filmmakers’ commitment to advocacy while maintaining a hopeful outlook for resolution and industry growth.
Original Source: variety.com
